- Cronología
- Ca. 1797 - 1798
- Ubicación
- The Prado National Museum. Madrid, Madrid, Spain
- Dimensiones
- 195 x 129 mm
- Técnica y soporte
- Sanguine
- Reconocimiento de la autoría de Goya
- Documented work
- Titular
- El Prado National Museum
- Ficha: realización/revisión
- 26 Nov 2010 / 26 Jun 2023
- Inventario
- (D. 4157)
On the origin of this and other preparatory drawings for The Caprices, see the commentary on the first of them, corresponding to Caprice number 1 (Francisco de Goya y Lucientes, painter), and on the one corresponding to Caprice 3 (The bogeyman is Coming).
Line of provenance of this drawing: Javier Goya; Mariano Goya, 1854; Valentín Carderera, ca. 1861; Mariano Carderera, 1880; Prado Museum, 1886.
This is a preparatory drawing for Caprice 15. Beautiful advice, which is based on a scene previously sketched in the Notebook A or Album of Sanlúcar, Women seated on the promenade. In the recto of the folio is Young Woman Crying Behind a Car.
This work served as a preparatory study before producing the etching with a composition very close to that of the engraving. The woman accompanying the maja formally coincides with the old woman in the print, which was not the case in the Cuaderno de Sanlúcar. The background has been modified, with a series of stains suggesting the busy activity of the stroll.
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Los dibujos de GoyaMuseo Provincial de ZaragozaZaragoza1978exhibition organized by Museo Provincial de Zaragoza, Ministerio de Cultura and Ayuntamiento de Zaragoza, exhibition guide written by Miguel Beltrán Lloris and Micaela Pérez Sáenz. October 1978p. 26, cat. 17
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Goya. Los Caprichos. Colección de ochenta y cinco estampas en las que se fustigan errores y vicios humanosMadridEdiciones de Arte y Bibliofilia1966cat. 15
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Vie et ouvre de Francisco de GoyaParísOffice du livre1970p. 178, cat. 482
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Dibujos de Goya, 2 volsBarcelonaNoguer1975p. 114, cat. 77
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Los Caprichos de Goyacol. Serie punto y líneaBarcelonaGustavo Gili1977p.33-34
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El libro de los caprichos: dos siglos de interpretaciones (1799-1999). Catálogo de los dibujos, pruebas de estado, láminas de cobre y estampas de la primera ediciónMadridMuseo Nacional del Prado1999p. 121