Francisco de Goya

Clear folly (preparatory drawing)

Clasificación
Clear folly (preparatory drawing)
Datos Generales
Cronología
Ca. 1815 - 1824
Ubicación
The Prado National Museum. Madrid, Madrid, Spain
Dimensiones
238 x 325 mm
Técnica y soporte
Reconocimiento de la autoría de Goya
Documented work
Titular
El Prado National Museum
Ficha: realización/revisión
22 Aug 2021 / 26 May 2023
Inventario
D4289
Inscripciones

16 (in composite pencil, lower left)

MP Inventory DRAWINGS no. 203 (stamped. Reverse, upper right-hand corner)

[n]o grabada? (in pencil. Reverse, upper left corner, upper left)

15 // 203 (in pencil. Reverse)

Watermark: "MANUEL SERRA" (left half)

Historia

The drawing was inherited in 1828 by Javier Goya, the painter's son, and in 1854 by Mariano Goya y Goicoechea, the artist's grandson. It was subsequently owned by Valentín Carderera (ca. 1861) and Mariano Carderera (ca. 1880). In 1886 it was acquired from Mariano Carderera by the Directorate General of Public Instruction and was assigned to the Prado Museum, where it entered on 12 November 1886.

Análisis artístico

Preparatory drawing for Clear folly. There is hardly any overlap with the print, except for the figure with his arms raised holding a heavy curtain that occupies the entire upper part of the composition. The rest is nothing more than a jumble of indecipherable red stains that give the impression of a crowd. Everything is throbbing and confused, but the chiaroscuro effect achieved with quick, casual strokes is evident.

It is a very first sketch whose brushstrokes will become defined shapes on the plate.

Exposiciones
  • Los dibujos de Goya
    Museo Provincial de Zaragoza
    Zaragoza
    1978
    exhibition organized by Museo Provincial de Zaragoza, Ministerio de Cultura and Ayuntamiento de Zaragoza, exhibition guide written by Miguel Beltrán Lloris and Micaela Pérez Sáenz. October 1978
  • Goya. Das Zeitalter der Revolucionen. Kunst um 1800 (1980 – 1981)
    Hamburger Kunsthalle
    Hamburg
    1980
  • Madrid
    1999
  • Goya
    Galleria Nazionale d’Arte Antica di Palazzo Barberini
    Roma
    2000
    consultant editors Lorenza Mochi Onori and Claudio Strinati. From March 18th to June 18th 2000
  • París
    2001
  • Goya: Luces y Sombras. Obras Maestras del Museo del Prado
    The National Museum of Western Art
    Tokyo
    2011
  • Goya luces y sombras
    CaixaForum
    Barcelona
    2012
    consultant editors José Manuel Matilla and Manuela B. Marqués. From March 16th to June 24th 2012
Bibliografía
  • CAMÓN AZNAR, José
    BarcelonaInstituto Amatller de Arte Hispánico
    1951
    pp. 65-67
  • SÁNCHEZ CANTÓN, Francisco Javier
    Los dibujos de Goya, 2 vols.
    MadridAmigos del Museo del Prado
    1954
    cat. 398
  • GASSIER, Pierre y WILSON, Juliet
    Vie et ouvre de Francisco de Goya
    ParísOffice du livre
    1970
    p. 326, cat. 1594
  • GASSIER, Pierre
    Dibujos de Goya, 2 vols
    BarcelonaNoguer
    1975
    pp. 452-453, cat. 300
  • LAFUENTE FERRARI, Enrique
    Goya, dibujos
    MadridSilex
    1980
    pp. 210-211, cat. 80
  • MATILLA, José Manuel
    Roma Edizioni de Luca
    2000
    pp. 138-139, cat. 47
  • MATILLA, José Manuel
    MadridMuseo Nacional y Ediciones El Viso
    2008
    pp. 488-489, cat. 182
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