Francisco de Goya

Francisco de Goya y Lucientes, Painter

Clasificación
Francisco de Goya y Lucientes, Painter
Datos Generales
Cronología
Ca. 1797 - 1798
Ubicación
The Metropolitan Museum of Art, New York, United States
Dimensiones
200 x 143 mm
Técnica y soporte
Reconocimiento de la autoría de Goya
Documented work
Titular
The Metropolitan Museum of Art
Ficha: realización/revisión
09 Nov 2010 / 23 Jun 2023
Inventario
(1972.118.295).
Historia

Throughout the creative process of The Caprices, which had as their first germ some drawings from Notebook A and Notebook B and reached a greater definition of ideas in the series Dreams, Goya also produced numerous loose drawings. On Goya's death these drawings passed successively to his son Javier (+1854) and his grandson Mariano. They were acquired from him around 1861 by the collector and scholar Valentín Carderera. On his death in 1880 they were inherited by his nephew Mariano Carderera, from whom the Prado Museum bought them by virtue of a Royal Order of 12 November 1886. With the exception of this drawing with the self-portrait of Goya, corresponding to the cover of The Caprices or Caprice 1, which Valentín Carderera donated to Romualdo Nogués y Milagro (+1899); by inheritance it passed to Manuel Nogués; subsequently to C. de Hauke and to Walter C. Baker (New York) who in 1971 donated it to the Metropolitan Museum of Art in New York.

Análisis artístico

In the preparatory drawing Goya made for the first engraving in his series The Caprices, he portrays himself with a long bust. The painter wears a top hat, a buttoned jacket and a grim expression on his face, as in the engraving. The only difference between the sketch and the print is that in the sketch the painter is depicted up to his elbow, while in the engraving he is depicted up to the start of his arm. On the paper he marked in sanguine the definitive dimensions that were later transferred to the print.

On the verso of the folio there are several sketches of Goya's face

Exposiciones
  • Goya: Drawings and Prints
    The Metropolitan Museum of Art
    New York
    1955
    from May 4th to 30th 1955
  • The changing image: prints by Francisco de Goya
    Museum of Fine Arts
    1974
    From October to December 1974. Exhibited also at The National Gallery of Canada, Ottawa, January to March 1975
  • Goya y el espíritu de la Ilustración
    Museo Nacional del Prado
    Madrid
    1988
    from October 6th to December 18th 1988. Exhibited also at Museum of Fine Arts, Boston, January 18th to March 26th 1989; The Metropolitan Museum of Art, Nueva York, May 9th to July 16th 1989, Madrid curator Manuela B. Mena Marqués, scientific directors Alfonso E. Pérez Sánchez and Eleanor A. Sayre
  • Goya. La década de Los Caprichos
    Madrid
    1992
    organized by Real Academia de Bellas Artes de San Fernando sponsored by Fundación Central Hispano, Madrid, consultant editor Nigel Glendinnig. From October 26th 1992 to January 10th 1993
  • Madrid
    2019
Bibliografía
  • SÁNCHEZ CANTÓN, Francisco Javier
    Los Caprichos de Goya y sus dibujos preparatorios
    BarcelonaInstituto Amatller de Arte Hispánico
    1949
    p. 69
  • LÓPEZ-REY, José
    Goya’s Caprichos. Beauty, Reason and Caricature
    Nueva JerseyPrinceton University Press
    1953
    p. 187, fig. 85
  • CASARIEGO, Rafael
    Goya. Los Caprichos. Colección de ochenta y cinco estampas en las que se fustigan errores y vicios humanos
    MadridEdiciones de Arte y Bibliofilia
    1966
    cat. 3
  • HOFER, Philip
    Los Caprichos by Francisco Goya
    New YorkDover Publications
    1969
    p. 3
  • GASSIER, Pierre y WILSON, Juliet
    Vie et ouvre de Francisco de Goya
    ParísOffice du livre
    1970
    p. 176, cat. 452
  • TROUTMAN, Philip
    Paintings, drawings and prints
    LondonFolio Society
    1971
  • HYATT MAYOR, Alpheus
    Goya : 67 Drawings
    New YorkThe Metropolitan Museum of Art
    1974
    p. 103, cat. 66
  • GASSIER, Pierre
    Dibujos de Goya, 2 vols
    BarcelonaNoguer
    1975
    p. 103, cat. 66
  • LAFUENTE FERRARI, Enrique
    Los Caprichos de Goya
    col. Serie punto y línea
    BarcelonaGustavo Gili
    1977
    p. 29
  • WILSON-BAREU, Juliet
    MadridReal Academia de Bellas Artes de San Fernando
    1992
    p.3, Cat. 1
  • BLAS BENITO, Javier, MATILLA RODRÍGUEZ, José Manuel y MEDRANO, José Miguel
    El libro de los caprichos: dos siglos de interpretaciones (1799-1999). Catálogo de los dibujos, pruebas de estado, láminas de cobre y estampas de la primera edición
    MadridMuseo Nacional del Prado
    1999
    p. 59
  • MATILLA, José Manuel y MENA, Manuela B. (comisarios)
    MadridMuseo Nacional del Prado
    2019
    pp. 274-275
Enlaces externos
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