Francisco de Goya

Dogs at the bull (Bullfighting C) (preparatory drawing)

Clasificación
Dogs at the bull (Bullfighting C) (preparatory drawing)
Datos Generales
Cronología
Ca. 1814 - 1815
Ubicación
The Prado National Museum. Madrid, Madrid, Spain
Dimensiones
188 x 313 mm
Técnica y soporte
Reconocimiento de la autoría de Goya
Documented work
Titular
El Prado National Museum
Ficha: realización/revisión
03 Oct 2021 / 22 Jun 2023
Inventario
(D4322)
Inscripciones

2 (in pencil, lower left-hand corner)

Historia

See How the ancient Spaniards hunted bulls on horseback in the countryside.

This preparatory drawing passed by inheritance in 1828 to Javier Goya, the painter's son, and in 1854 to Mariano Goya y Goicoechea, the artist's grandson. It was subsequently owned by Valentín Carderera (ca. 1861) and Mariano Carderera (1880). In 1886 it was acquired from Mariano Carderera, along with many other drawings by Goya, including almost all the preparatory studies for the Bullfight, by the Directorate General of Public Instruction, and was assigned to the Prado Museum, where it entered on 12 November 1886.

Análisis artístico

See How the ancient Spaniards hunted bulls on horseback in the countryside.

Preparatory drawings for the print Dogs at the bull (Bullfighting C). The scene depicts the moment when the dogs are thrown to a tame bull. In this case, the composition is variegated and lively, with many figures appearing in it and giving a sense of agitation, of a great deal of activity. It takes place in the arena of a bullring, of which the barrier, the stands and the audience are outlined in the background.

The preparatory study, as could not be otherwise, has many elements in common with the print on which it was based, although in this one, in order to make it easier to read, the figures were reduced, such as the picadors in the background on the left. It also has similarities with the other engraving on the same theme, which eventually replaced the one already mentioned, entitled Dogs are being thrown at the bull, as elements that would appear in that print are already present here, such as the bull with its head bent down surrounded by dogs, the injured dog on the right and the bailiff on horseback who, with his back turned, walks away across the bullring.

The present drawing is affixed to a second piece of laid paper belonging to a French army record book in Spain.

Conservación

The paper retains creases from being passed through the press.

Exposiciones
  • Goya. Gemälde Zeichnungen. Graphik. Tapisserien
    Kunsthalle Basel
    Basle
    1953
    from January 23th to April 12th 1953
  • Madrid
    2002
Bibliografía
  • LAFUENTE FERRARI, Enrique
    1946
    pp. 177-216, espec. pp. 210-211
  • SÁNCHEZ CANTÓN. Francisco Javier
    MadridMuseo del Prado
    1954
    cat. 187
  • LAFUENTE FERRARI, Enrique
    ParísLe Club Français du Livre
    1963
    p. 168
  • GASSIER, Pierre y WILSON, Juliet
    Vie et ouvre de Francisco de Goya
    ParísOffice du livre
    1970
    p. 280, cat. 1224
  • LAFUENTE FERRARI, Enrique
    Barcelona
    1974
    p. 20
  • GASSIER, Pierre
    Dibujos de Goya, 2 vols
    BarcelonaNoguer
    1975
    pp. 408-409, cat. 279
  • MATILLA, José Manuel y MEDRANO, José Miguel
    MadridMuseo Nacional del Prado
    2001
    pp. 101 y 102
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