Francisco de Goya

Saint Isidore the Labourer (San Isidro Labrador)

Clasificación
Saint Isidore the Labourer (San Isidro Labrador)
Datos Generales
Cronología
Ca. 1778 - 1782
Ubicación
Private collection, Madrid, Spain
Dimensiones
230 x 192 mm
Técnica y soporte
Sanguine on laid paper
Reconocimiento de la autoría de Goya
Documented work
Titular
Private collection
Ficha: realización/revisión
07 Nov 2010 / 30 Nov 2022
Inscripciones

Signed Fco. Goya fe., lower left-hand corner.

Historia

Preparatory drawing for the plate with the same title.

Análisis artístico

In this drawing, which Francisco de Goya made in preparation for the execution of the etching of the same name, neither the oxen nor the angel from the finished work are present. In the preparatory drawing he has sketched Saint Isidore illuminated by a celestial light, looking up to heaven, his arms opened wide, kneeling on the ground.

We do not know why the artist only depicts here the figure, the patron saint of Madrid, and leaves out the other elements which feature in the background of the print, the oxen and the angel, whose wings can just about be made out. It is possible that at the beginning the etching was just as conceived here in the preparatory drawing and that perhaps the figures in the background were a later improvisation.

The execution of the print caused certain technical problems for the artist, leading him to discard the plate as unusable, which is why we only have this one impression.

Bibliografía
  • HARRIS, Tomás
    Goya engravings and lithographs, vol. I y II.
    OxfordBruno Cassirer
    1964
  • GASSIER, Pierre y WILSON, Juliet
    Vie et ouvre de Francisco de Goya
    ParísOffice du livre
    1970
    cat. 54
  • GASSIER, Pierre
    Dibujos de Goya, 2 vols
    BarcelonaNoguer
    1975
    cat. 23
  • MENA MARQUÉS, Manuela B. et al.
    Goya y Zaragoza (1746-1775). Sus raíces aragonesas
    ZaragozaFundación Goya en Aragón, Ibercaja y Gobierno de Aragón
    2015
    pp. 164-165
  • MATILLA, José Manuel y MENA, Manuela B.
    SantanderFundación Botín y Museo Nacional del Prado
    2018
    pp. 351-354
Enlaces externos
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