Francisco de Goya

A bullfighter falls from his horse under the bull (preparatory drawing).

Clasificación
A bullfighter falls from his horse under the bull (preparatory drawing).
Datos Generales
Cronología
Ca. 1814 - 1816
Ubicación
The Prado National Museum. Madrid, Madrid, Spain
Dimensiones
180 x 274 mm
Técnica y soporte
Reconocimiento de la autoría de Goya
Documented work
Titular
El Prado National Museum
Ficha: realización/revisión
02 Oct 2021 / 22 Jun 2023
Inventario
(D4313)
Inscripciones

1 (in pencil, lower left corner)

Historia

See How the ancient Spaniards hunted bulls on horseback in the countryside.

This preparatory drawing passed by inheritance in 1828 to Javier Goya, the painter's son, and in 1854 to Mariano Goya y Goicoechea, the artist's grandson. It was subsequently owned by Valentín Carderera (ca. 1861) and Mariano Carderera (1880). In 1886 it was acquired from Mariano Carderera, along with many other drawings by Goya, including almost all the preparatory studies for the Bullfight, by the Directorate General of Public Instruction, and was assigned to the Prado Museum, where it entered on 12 November 1886.

Análisis artístico

See How the ancient Spaniards hunted bulls on horseback in the countryside.

Preparatory drawing of the print A bullfighter falls from his horse under the bull. It depicts a common scene in the bullfights of Goya's time: the picador falling from his horse and the bull attacking both of them. We see how the equine has one of the bull's horns stuck in its belly and is going to die with its guts spilling out, scattered around the bullring. Meanwhile, the picador is under the bull, trapped between its legs, and receives the bull's blows as it charges the horse. At the same time, four labourers, who are more clearly defined in the print, are trying to get the bull to break away from the horse or at least to free the picador. In the background, part of the barrier can be seen, and a group of people who are observing the scene can be glimpsed slightly to the right.

The contrast between the light and shadow of the bull and the horse is striking. Small shadows, also present in other preparatory drawings in the series, effectively represent an afternoon in full sunlight.

The scene will be transferred quite faithfully to the plate and therefore to the print.

Exposiciones
  • Goya. Exposition de l’oeuvre gravé, de peintures, de tapisseries et de cent dix dessins du Musée du
    Bibliothèque nationale de France
    París
    1935
  • Madrid
    1990
  • Madrid
    2002
  • Madrid
    2007
  • Madrid
    2019
  • Melbourne
    2021
Bibliografía
  • LAFUENTE FERRARI, Enrique
    1946
    pp. 177-216, espec. pp. 202-203
  • SÁNCHEZ CANTÓN. Francisco Javier
    MadridMuseo del Prado
    1954
    cat. 179
  • GLENDINNING, Nigel
    1961
    pp. 120-127
  • LAFUENTE FERRARI, Enrique
    ParísLe Club Français du Livre
    1963
    p. 120
  • GASSIER, Pierre y WILSON, Juliet
    Vie et ouvre de Francisco de Goya
    ParísOffice du livre
    1970
    p. 279, cat. 1203
  • LAFUENTE FERRARI, Enrique
    Barcelona
    1974
    pp. 16-17
  • GASSIER, Pierre
    Dibujos de Goya, 2 vols
    BarcelonaNoguer
    1975
    pp. 386-387, cat. 268
  • LAFUENTE FERRARI, Enrique
    El mundo de Goya en sus dibujos
    MadridUrbión
    1979
    pp. 204-205
  • MATILLA, José Manuel y MEDRANO, José Miguel
    MadridMuseo Nacional del Prado
    2001
    pp. 85-86
  • MATILLA, José Manuel y MENA, Manuela B. (comisarios)
    MadridMuseo Nacional del Prado
    2019
    pp. 222-223
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