- Cronología
- Ca. 1814 - 1816
- Ubicación
- The Prado National Museum. Madrid, Madrid, Spain
- Dimensiones
- 180 x 274 mm
- Técnica y soporte
- Reconocimiento de la autoría de Goya
- Documented work
- Titular
- El Prado National Museum
- Ficha: realización/revisión
- 02 Oct 2021 / 22 Jun 2023
- Inventario
- (D4313)
1 (in pencil, lower left corner)
See How the ancient Spaniards hunted bulls on horseback in the countryside.
This preparatory drawing passed by inheritance in 1828 to Javier Goya, the painter's son, and in 1854 to Mariano Goya y Goicoechea, the artist's grandson. It was subsequently owned by Valentín Carderera (ca. 1861) and Mariano Carderera (1880). In 1886 it was acquired from Mariano Carderera, along with many other drawings by Goya, including almost all the preparatory studies for the Bullfight, by the Directorate General of Public Instruction, and was assigned to the Prado Museum, where it entered on 12 November 1886.
See How the ancient Spaniards hunted bulls on horseback in the countryside.
Preparatory drawing of the print A bullfighter falls from his horse under the bull. It depicts a common scene in the bullfights of Goya's time: the picador falling from his horse and the bull attacking both of them. We see how the equine has one of the bull's horns stuck in its belly and is going to die with its guts spilling out, scattered around the bullring. Meanwhile, the picador is under the bull, trapped between its legs, and receives the bull's blows as it charges the horse. At the same time, four labourers, who are more clearly defined in the print, are trying to get the bull to break away from the horse or at least to free the picador. In the background, part of the barrier can be seen, and a group of people who are observing the scene can be glimpsed slightly to the right.
The contrast between the light and shadow of the bull and the horse is striking. Small shadows, also present in other preparatory drawings in the series, effectively represent an afternoon in full sunlight.
The scene will be transferred quite faithfully to the plate and therefore to the print.
-
Goya. Exposition de l’oeuvre gravé, de peintures, de tapisseries et de cent dix dessins du Musée duBibliothèque nationale de FranceParís1935cat. 273
-
Madrid1990cat. 41
-
Madrid2002
-
Madrid2007
-
Madrid2019cat. 140
-
Melbourne2021
-
1946pp. 177-216, espec. pp. 202-203
-
MadridMuseo del Prado1954cat. 179
-
1961pp. 120-127
-
ParísLe Club Français du Livre1963p. 120
-
Vie et ouvre de Francisco de GoyaParísOffice du livre1970p. 279, cat. 1203
-
Barcelona1974pp. 16-17
-
Dibujos de Goya, 2 volsBarcelonaNoguer1975pp. 386-387, cat. 268
-
El mundo de Goya en sus dibujosMadridUrbión1979pp. 204-205
-
MadridMuseo Nacional del Prado2001pp. 85-86
-
MadridMuseo Nacional del Prado2019pp. 222-223