- Cronología
- Ca. 1814 - 1816
- Ubicación
- The Prado National Museum. Madrid, Madrid, Spain
- Dimensiones
- 198 x 279 mm
- Técnica y soporte
- Sanguine on laid paper
- Reconocimiento de la autoría de Goya
- Documented work
- Titular
- El Prado National Museum
- Ficha: realización/revisión
- 01 Oct 2021 / 22 Jun 2023
- Inventario
- P00753
15 [reworked] (in pencil; recto, lower left-hand corner)
[d]ans les Magasins de l' Armée. Sortie [2nd support] (in pencil; recto, upper part)
(in pencil; recto, upper part)
219 (verso, left-hand side)
219 [adhesive envelope] (in pen, reverse)
Entrée. Capotes distribuées aux [2nd support] (in ink; reverse, upper part)
Engraving (reverse, upper part)
Watermark: GRIMAUD -- [G.S] (left half)
See How the ancient Spaniards hunted bulls on horseback in the countryside.
Javier Goya, Madrid, 1828; Mariano Goya, Madrid, 1854; Valentín Carderera, Madrid, c. 1861; Mariano Carderera, Madrid, 1880; Prado Museum, 1886.
Goya made at least five preparatory drawings for the compositions corresponding to Bullfighting, 10 and 11, which depict the historical luck of lance on horseback.
See How the ancient Spaniards hunted bulls on horseback in the countryside.
See Charles V spearing a bull in the bullring in Valladolid (1)
Of the three surviving preparatory drawings for Charles V. Spearing a Bull in the Bullring of Valladolid, this design is the closest in composition and form to the final print.
The drawing is attached to a second support, a sheet of laid paper, lined with pen, belonging to a French army record book in Spain.
-
Madrid2002
-
MadridMuseo del Prado1928n. 61
-
1946pp. 185, 191-192
-
MadridMuseo del Prado1954n. 160
-
ParísLe Club Français du Livre1963p. 71
-
Vie et ouvre de Francisco de GoyaParísOffice du livre1970p. 277, nº 1168
-
Barcelona1974pp. 6, 8, 13
-
The Changing image: Prints by Francisco GoyaBostonMuseum of Fine Arts1974pp. 218-221, nº 171
-
Dibujos de Goya, 2 volsBarcelonaNoguer1975pp. 348-349, nº 249
-
El mundo de Goya en sus dibujosMadridUrbión1979pp. 182-183
-
MadridMuseo Nacional del Prado2001pp. 56-58
