Francisco de Goya

Unfortunate charge of a powerful bull (Bullfighting B) (preparatory drawing)

Clasificación
Unfortunate charge of a powerful bull (Bullfighting B) (preparatory drawing)
Datos Generales
Cronología
Ca. 1814 - 1815
Ubicación
The Prado National Museum. Madrid, Madrid, Spain
Dimensiones
190 x 319 mm
Técnica y soporte
Reconocimiento de la autoría de Goya
Documented work
Titular
El Prado National Museum
Ficha: realización/revisión
03 Oct 2021 / 22 Jun 2023
Inventario
(D4321)
Otros títulos:


Inscripciones

6 (in pencil, bottom right-hand corner)

Historia

 See How the ancient Spaniards hunted bulls on horseback in the countryside.

This preparatory drawing passed by inheritance in 1828 to Javier Goya, the painter's son, and in 1854 to Mariano Goya y Goicoechea, the artist's grandson. It was subsequently owned by Valentín Carderera (ca. 1861) and Mariano Carderera (1880). In 1886 it was acquired from Mariano Carderera, along with many other drawings by Goya, including almost all the preparatory studies for the Bullfight, by the Directorate General of Public Instruction, and was assigned to the Prado Museum, where it entered on 12 November 1886.

Análisis artístico

 See How the ancient Spaniards hunted bulls on horseback in the countryside.

Preparatory drawing for Unfortunate charge of a powerful bull (Bullfighting B). This is a work of great movement like its corresponding engraving, although when the drawing was transferred to the plate Goya removed certain elements such as the horse in the lower right corner. The composition is otherwise almost the same as that of the future print: in the centre of the scene we see the moment when the bull charges the horse, which is literally in the air while the picador falls and the group of young men try to get the bull's attention so that he releases the horse. The bullring can be seen in the background, with people depicted in it, albeit in a sketchy manner. The drawing is more illuminated than the engraving, which Goya decided not to include in the original series due to the effects created by the aquatint.

Gassier compares this preparatory drawing with one of the two studies in another print: Two groups of picadors being rolled at once by a single bull (preparatory drawing 1), by the almost identical gutted horse, but in the opposite direction, which can be seen in the same drawing. The drawing is a fast drawing.

The present drawing is attached to a second laid paper belonging to a French army record book in Spain.

Conservación

The paper retains creases from being passed through the press.

Exposiciones
  • Goya. Gemälde Zeichnungen. Graphik. Tapisserien
    Kunsthalle Basel
    Basle
    1953
    from January 23th to April 12th 1953
  • Hamburg
    1966
  • Los dibujos de Goya
    Museo Provincial de Zaragoza
    Zaragoza
    1978
    exhibition organized by Museo Provincial de Zaragoza, Ministerio de Cultura and Ayuntamiento de Zaragoza, exhibition guide written by Miguel Beltrán Lloris and Micaela Pérez Sáenz. October 1978
  • Brussels
    1985
  • Goya: Luces y Sombras. Obras Maestras del Museo del Prado
    The National Museum of Western Art
    Tokyo
    2011
  • Barcelona
    2012
Bibliografía
  • LAFUENTE FERRARI, Enrique
    1946
    pp. 177-216, espec. pp. 185 y 210
  • SÁNCHEZ CANTÓN. Francisco Javier
    MadridMuseo del Prado
    1954
    cat. 186
  • LAFUENTE FERRARI, Enrique
    ParísLe Club Français du Livre
    1963
    p. 164
  • GASSIER, Pierre y WILSON, Juliet
    Vie et ouvre de Francisco de Goya
    ParísOffice du livre
    1970
    p. 280, cat. 1222
  • LAFUENTE FERRARI, Enrique
    Barcelona
    1974
    p. 20
  • GASSIER, Pierre
    Dibujos de Goya, 2 vols
    BarcelonaNoguer
    1975
    pp. 406-407, cat. 278
  • MATILLA, José Manuel y MEDRANO, José Miguel
    MadridMuseo Nacional del Prado
    2001
    pp. 100-101
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