- Cronología
- Ca. 1814 - 1815
- Ubicación
- The Prado National Museum. Madrid, Madrid, Spain
- Dimensiones
- 190 x 319 mm
- Técnica y soporte
- Reconocimiento de la autoría de Goya
- Documented work
- Titular
- El Prado National Museum
- Ficha: realización/revisión
- 03 Oct 2021 / 22 Jun 2023
- Inventario
- (D4321)
- Otros títulos:
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6 (in pencil, bottom right-hand corner)
See How the ancient Spaniards hunted bulls on horseback in the countryside.
This preparatory drawing passed by inheritance in 1828 to Javier Goya, the painter's son, and in 1854 to Mariano Goya y Goicoechea, the artist's grandson. It was subsequently owned by Valentín Carderera (ca. 1861) and Mariano Carderera (1880). In 1886 it was acquired from Mariano Carderera, along with many other drawings by Goya, including almost all the preparatory studies for the Bullfight, by the Directorate General of Public Instruction, and was assigned to the Prado Museum, where it entered on 12 November 1886.
See How the ancient Spaniards hunted bulls on horseback in the countryside.
Preparatory drawing for Unfortunate charge of a powerful bull (Bullfighting B). This is a work of great movement like its corresponding engraving, although when the drawing was transferred to the plate Goya removed certain elements such as the horse in the lower right corner. The composition is otherwise almost the same as that of the future print: in the centre of the scene we see the moment when the bull charges the horse, which is literally in the air while the picador falls and the group of young men try to get the bull's attention so that he releases the horse. The bullring can be seen in the background, with people depicted in it, albeit in a sketchy manner. The drawing is more illuminated than the engraving, which Goya decided not to include in the original series due to the effects created by the aquatint.
Gassier compares this preparatory drawing with one of the two studies in another print: Two groups of picadors being rolled at once by a single bull (preparatory drawing 1), by the almost identical gutted horse, but in the opposite direction, which can be seen in the same drawing. The drawing is a fast drawing.
The present drawing is attached to a second laid paper belonging to a French army record book in Spain.
The paper retains creases from being passed through the press.
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Goya. Gemälde Zeichnungen. Graphik. TapisserienKunsthalle BaselBasle1953from January 23th to April 12th 1953cat. 117
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Hamburg1966cat. 131
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Los dibujos de GoyaMuseo Provincial de ZaragozaZaragoza1978exhibition organized by Museo Provincial de Zaragoza, Ministerio de Cultura and Ayuntamiento de Zaragoza, exhibition guide written by Miguel Beltrán Lloris and Micaela Pérez Sáenz. October 1978pp. 36-37, cat. 89
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Brussels1985
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Goya: Luces y Sombras. Obras Maestras del Museo del PradoThe National Museum of Western ArtTokyo2011cat. 83
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Barcelona2012cat. 60
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1946pp. 177-216, espec. pp. 185 y 210
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MadridMuseo del Prado1954cat. 186
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ParísLe Club Français du Livre1963p. 164
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Vie et ouvre de Francisco de GoyaParísOffice du livre1970p. 280, cat. 1222
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Barcelona1974p. 20
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Dibujos de Goya, 2 volsBarcelonaNoguer1975pp. 406-407, cat. 278
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MadridMuseo Nacional del Prado2001pp. 100-101