Francisco de Goya

Cruel folly (preparatory drawing)

Clasificación
Cruel folly (preparatory drawing)
Datos Generales
Cronología
1815 - 1819
Ubicación
The Prado National Museum. Madrid, Madrid, Spain
Dimensiones
244 x 354 mm
Técnica y soporte
Reconocimiento de la autoría de Goya
Documented work
Titular
El Prado National Museum
Ficha: realización/revisión
21 Aug 2021 / 13 Apr 2023
Inventario
D4280
Inscripciones

2 (in pencil, bottom left -hand corner)

1 (in pencil, reverse, centre)

192 (in pencil, reverse, bottom)

49 (in pencil, reverse side, bottom)

9 (in pencil, reverse, top)

Watermark: "MANUEL SERRA" (right half)

Historia

The drawing was inherited in 1828 by Javier Goya, the painter's son, and in 1854 by Mariano Goya y Goicoechea, the artist's grandson. It was subsequently owned by Valentín Carderera (ca. 1861) and Mariano Carderera (ca. 1880). In 1886 it was acquired from Mariano Carderera by the Directorate General of Public Instruction and was assigned to the Prado Museum, where it entered on 12 November 1886.

Análisis artístico

Preparatory drawing for Cruel Folly. It presents many differences with respect to the composition of the print.

The man advancing with a club and attacking a man in a fury is depicted here wearing a headscarf and armed with a rifle or musket. In the background is a sentry box, which Gassier interprets as a sentry chasing away a group of beggars. In turn, the fallen man is not under his legs but in the centre of the composition, assisted by the rest of the figures, some of whom, however, are in the same pose as in the engraving, such as the one with his back turned and the one with his legs open. The background with the ruined wall or rampart is not yet present, with only the sentry box and a shadow suggesting a mound.

The drama in the print is greater than in this sketch, as in it the main action has been brought to the foreground, leaving behind the middle ground of the preparatory drawing. This greater drama is also achieved by depicting the climax of the action, as the drawing depicts the moment after the attack.

Exposiciones
  • Goya. Gemälde Zeichnungen. Graphik. Tapisserien
    Kunsthalle Basel
    Basle
    1953
    from January 23th to April 12th 1953
  • Los dibujos de Goya
    Museo Provincial de Zaragoza
    Zaragoza
    1978
    exhibition organized by Museo Provincial de Zaragoza, Ministerio de Cultura and Ayuntamiento de Zaragoza, exhibition guide written by Miguel Beltrán Lloris and Micaela Pérez Sáenz. October 1978
  • Madrid
    1999
  • Goya
    Galleria Nazionale d’Arte Antica di Palazzo Barberini
    Roma
    2000
    consultant editors Lorenza Mochi Onori and Claudio Strinati. From March 18th to June 18th 2000
  • París
    2001
  • Goya: Order and disorder
    Museum of Fine Arts
    Boston
    2014
  • Madrid
    2019
Bibliografía
  • SÁNCHEZ CANTÓN, Francisco Javier
    Los dibujos de Goya, 2 vols.
    MadridAmigos del Museo del Prado
    1954
    cat. 385
  • GASSIER, Pierre y WILSON, Juliet
    Vie et ouvre de Francisco de Goya
    ParísOffice du livre
    1970
    p. 325, cat. 1580
  • GASSIER, Pierre
    Dibujos de Goya, 2 vols
    BarcelonaNoguer
    1975
    pp. 440-441, cat. 294
  • MATILLA, José Manuel
    Roma Edizioni de Luca
    2000
    pp. 122-123, cat. 38
  • MATILLA, José Manuel
    MadridMuseo Nacional del Prado
    2008
    pp. 478-479, cat. 177
  • ILCHMAN, Frederick y STEPANEK, Stephanie L. (comisarios)
    Goya: Order & Disorder
    BostonMuseum of Fine Arts Boston Publications
    2014
    pp. 266-267
  • MATILLA, José Manuel y MENA, Manuela B. (comisarios)
    MadridMuseo Nacional del Prado
    2019
    p. 325
Enlaces externos
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