- Cronología
- 1815 - 1819
- Dimensiones
- 247 x 359 mm
- Técnica y soporte
- Etching and burnished aquatint
- Reconocimiento de la autoría de Goya
- Documented work
- Ficha: realización/revisión
- 21 Aug 2021 / 05 Jun 2023
- Inventario
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Goya (print, at the left)
See Femenine folly.
There is a state proof in the Lazaro Galdiano Foundation with the handwritten number 2.
The print in the Museum of Fine Arts, Boston, has a 3 in the upper right corner and a handwritten caption: Cruel folly.
An enraged man attacks another man with a club and hits him on the head, causing him to fall to the ground, screaming in pain with a disfigured, almost cadaverous face. In front of him, several people in an unclear attitude barely notice what has happened. One of them, in the foreground, has his back turned, and in the centre of the composition, another is turned slightly. The scene takes place in a ruined space with a half-ruined wall or rampart.
The meaning and significance of this scene is puzzling, as in most of the prints in the Follies series. Some authors believe that the character who turns around is going to face the man with the club, while others think that he is in a lewd posture, with his legs open, surrounding a woman for dishonest purposes, so that the armed man would be launching himself against the unbridled libido. Thus, the attacker would be the reason against dirty carnal pleasures. Others believe that the action takes place in a prison environment, more specifically in a prison where political prisoners are held. In that case we would be looking at a denunciation of human cruelty. It would not be the first time that Goya had used this theme, as prison scenes are frequently depicted in the Caprices.
As in other prints from the Follies, the night sky is rendered in aquatint, while the light falls on the figures to achieve chiaroscuro effects.
The preparatory drawing for the present print, also titled Cruel folly.
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GoyaMusée Jacquemart-AndréParís1961consultant editor Jean-Gabriel Domergue. From December 1961 to February 1962
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Etchings by Francosco GoyaJohannesburgoJohannesburgo1974
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Boston1974
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1976
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Grabados de Goya: colección propiedad de la Biblioteca Nacional, que se conserva en su Gabinete deCasa de la Amistad de MoscúMoscow1979exhibition displayed from January 18th to 31st 1979
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Goya. Das Zeitalter der Revolucionen. Kunst um 1800 (1980 – 1981)Hamburger KunsthalleHamburg1980cat. 149
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Goya y el espíritu de la IlustraciónMuseo Nacional del PradoMadrid1988from October 6th to December 18th 1988. Exhibited also at Museum of Fine Arts, Boston, January 18th to March 26th 1989; The Metropolitan Museum of Art, Nueva York, May 9th to July 16th 1989, Madrid curator Manuela B. Mena Marqués, scientific directors Alfonso E. Pérez Sánchez and Eleanor A. Sayre
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Ydioma universal: Goya en la Biblioteca NacionalBiblioteca NacionalMadrid1996from September 19th to December 15th 1996cat. 303
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Francisco Goya. Sein leben im spiegel der graphik. Fuendetodos 1746-1828 Bordeaux. 1746-1996Galerie KornfeldBern1996from November 21st 1996 to January 1997
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Goya. 250 AniversarioMuseo Nacional del PradoMadrid1996consultant editor Juan J. Luna. From March 29th to June 2nd 1996
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Goya grabadorMuseo del Grabado Español ContemporáneoMarbella1996from March 8th to May 5th 1996
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Zaragoza1996
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London1997
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1999
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Madrid1999
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Schlaf der Vernunft. Original radierungen von Francisco de GoyaMunich2000
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Bilbao2012
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Goya et la modernitéPinacothèque de ParisParís2013from October 11st 2013 to March 16th 2014cat. 206
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Goya: Order and disorderMuseum of Fine ArtsBoston2014cat. 178
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OxfordBruno Cassirer1964pp. 382-383, cat. 253
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Vie et ouvre de Francisco de GoyaParísOffice du livre1970p. 325, cat. 1579
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Catálogo de las estampas de Goya en la Biblioteca NacionalMadridMinisterio de Educación y Cultura, Biblioteca Nacional1996p. 237, cat. 380
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MadridReal Academia de Bellas Artes de San Fernando y Calcografía Nacional1996pp. 105 y 109, cat. 6, 7 y 26
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MadridReal Academia de Bellas Artes de San Fernando y Calcografía Nacional1996pp. 122-123, cat. 38
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MadridMuseo Nacional del Prado2008pp. 478-479, cat. 177
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ParísPinacoteca de París2013p. 271
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Goya: Order & DisorderBostonMuseum of Fine Arts Boston Publications2014pp. 266-267
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Goya. In the Norton Simon MuseumPasadenaNorton Simon Museum2016pp. 204-211