Datos Generales
- Cronología
- Ca. 1778 - 1779
- Ubicación
- Hamburger Kunsthalle, Hamburg, Germany
- Dimensiones
- 202 x 157 mm
- Técnica y soporte
- Sanguine on laid paper
- Reconocimiento de la autoría de Goya
- Undisputed work
- Titular
- Hamburger Kunsthalle
- Ficha: realización/revisión
- 14 Nov 2010 / 01 Jun 2023
- Inventario
- (38536)
Historia
This work belonged to Juan A. Ceán Bermúdez.
Análisis artístico
This is a preparatory drawing made for the etching.
As with the rest of the unpublished prints, Goya used red pencil in his preparatory drawing. The smudged lines of this work are particularly interesting, suggesting Goya's hesitation when it came to the subsequent application of the aquatint.
The imprint left around the edge of the drawing demonstrates that a press was used to obtain a counterproof.
Exposiciones
-
Goya. Das Zeitalter der Revolucionen. Kunst um 1800 (1980 – 1981)Hamburger KunsthalleHamburg1980cat. 204
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Velázquez en blanco y negroMuseo Nacional del PradoMadrid2000Curator: José Manuel Matilla
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Goya: Prophet der ModerneAlte NationalgalerieBerlin2005from July 13th to October 3th 2005. Exhibitied also at the Kunsthistorischemuseum, Vienna, October 18th 2005 to January 8th 2006, consultant editor Manuela B. Mena Marquéscat. 9
Bibliografía
-
Vie et ouvre de Francisco de GoyaParísOffice du livre1970cat. 112
-
Dibujos de Goya, 2 volsBarcelonaNoguer1975cat. 32
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Velázquez en blanco y negroMadridMuseo Nacional del Prado2000pp. 49 y 227
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www.kunsthalle-karlsruhe.de, consulted 13-04-1013-04-10
