Francisco de Goya

Modern Judith

Clasificación
Modern Judith
Datos Generales
Cronología
Ca. 1797
Ubicación
The Prado National Museum. Madrid, Madrid, Spain
Dimensiones
205 x 142 mm
Técnica y soporte
Reconocimiento de la autoría de Goya
Documented work
Titular
El Prado National Museum
Ficha: realización/revisión
20 Aug 2021 / 28 Apr 2023
Inventario
D3936
Inscripciones

38 (pen, lower left)

9 (in pen, bottom left, on the base sheet)

Historia

The drawing passed by inheritance in 1828 to Javier Goya, the painter's son, and in 1854 to Mariano Goya y Goicoechea, the artist's grandson. It was subsequently owned by Valentín Carderera (ca. 1861) and Mariano Carderera (ca. 1880). In 1886 it was acquired from Mariano Carderera by the General Direction of Public Instruction and was assigned to the Prado Museum, where it entered on 12 November 1886.

Análisis artístico

Goya's Judith painted on one of the walls of his Quinta del Sordo (now in the Museo del Prado: Judith and Holofernes) differs greatly from the one in the present drawing. While in the mural painting the Aragonese artist depicted a young Judith with a sword or long knife in her right hand, in the present drawing a woman, standing and faceless, wields a large sword with energy. In front of her is a kind of tent filled with severed heads. Mayer identified this woman as the modern Judith and even thought he recognised Goya's head among the severed ones. Gassier also pointed to the personification of War blindly ravaging everything around her.

Exposiciones
  • Goya. Das Zeitalter der Revolucionen. Kunst um 1800 (1980 – 1981)
    Hamburger Kunsthalle
    Hamburg
    1980
  • Brussels
    1985
  • El cuaderno italiano (1770-1786). Los orígenes del arte
    Museo Nacional del Prado
    Madrid
    1994
    exhibited also at Palacio Revillagigedo, Gijón, Summer 1994, consultant editors Manuela B. Mena Marqués and Jesús Urrea Fernández. From March 2nd to April 30th 1994
  • Goya: Prophet der Moderne
    Alte Nationalgalerie
    Berlin
    2005
    from July 13th to October 3th 2005. Exhibitied also at the Kunsthistorischemuseum, Vienna, October 18th 2005 to January 8th 2006, consultant editor Manuela B. Mena Marqués
  • Madrid
    2019
Bibliografía
  • SÁNCHEZ CANTÓN. Francisco Javier
    MadridMuseo del Prado
    1954
    n. 201
  • NORDSTRÖM, Folke
    Goya, Saturno y melancolía. Consideraciones sobre el arte de Goya
    StockholmAlquimis & Wiksell
    1962
    pp. 240-248
  • GASSIER, Pierre y WILSON, Juliet
    Vie et ouvre de Francisco de Goya
    ParísOffice du livre
    1970
    p. 187, cat. 636
  • GASSIER, Pierre
    Dibujos de Goya, 2 vols
    BarcelonaNoguer
    1975
    p. 177, cat. 140
  • LAFUENTE FERRARI, Enrique
    El mundo de Goya en sus dibujos
    MadridUrbión
    1979
    pp. 127-128
  • HOFMANN, Werner (ed.)
    Goya, Das Zeitalter de Revolutionen. 1789-1830
    HamburgPrestel-Verlag Münche und Hamburger Kunsthalle
    1980
    p. 123
  • CAMÓN AZNAR, José
    ZaragozaCaja de Ahorros de Zaragoza, Aragón y Rioja
    1980-1982
    p. 95
  • SCHUSTER, Peter-Klaus, SEIPEL, Wilfried y MENA, Manuela B. (editores)
    Dumont
    2005
    p. 189
  • MENA, Manuela B. y URREA, Jesús
    MadridFundación Amigos del Museo del Prado
    2008
  • MATILLA, José Manuel y MENA, Manuela B. (comisarios)
    MadridMuseo Nacional del Prado
    2019
    p. 323
Enlaces externos
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