- Cronología
- Ca. 1812 - 1815
- Ubicación
- The Prado National Museum. Madrid, Madrid, Spain
- Dimensiones
- Sanguina sobre papel verjurado
- Técnica y soporte
- 147 x 205 mm
- Reconocimiento de la autoría de Goya
- Undisputed work
- Titular
- El Prado National Museum
- Ficha: realización/revisión
- 21 Dec 2010 / 23 May 2023
- Inventario
- (D.4262)
9 (on the lower left-hand corner).
See Sad presentiments of what must come to pass (Tristes presentimientos de lo que ha de acontecer).
This drawing, along with the set of preparatory drawing for the rest of the prints in this series, formed part of the Carderera Collection and was subsequently acquired by the Prado Museum where it is currently housed.
There are few substantial differences between print no. 62, The beds of death (Las camas de la muerte) and its corresponding preparatory drawing.
The painter seemed to be clear that he wanted to highlight the corpses covered with sheets and the woman dressed from head to foot who passes by the bodies, covering her nose. The rest of the scene is left in shadows. In the final print the artist makes extensive use of aquatint to intensify the effects sketched out in the drawing.
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Los dibujos de GoyaMuseo Provincial de ZaragozaZaragoza1978exhibition organized by Museo Provincial de Zaragoza, Ministerio de Cultura and Ayuntamiento de Zaragoza, exhibition guide written by Miguel Beltrán Lloris and Micaela Pérez Sáenz. October 1978cat. 75
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Goya en tiempos de guerraMuseo Nacional del PradoMadrid2008consultant editor Manuela B. Mena Marqués, from April 14th to July 13th 2008cat. 111
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Goya et la modernitéPinacothèque de ParisParís2013from October 11st 2013 to March 16th 2014cat. 102
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Madrid2019cat. 128
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MadridMuseo del Prado1954n. 123
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Vie et ouvre de Francisco de GoyaParísOffice du livre1970cat. 1099
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Dibujos de Goya, 2 volsBarcelonaNoguer1975cat. 211
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MadridSilex1980pp. 138-139
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El Libro de los Desastres de la GuerraMadridMuseo del Prado2000pp. 117-118
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MadridMuseo Nacional del Prado2019pp. 206-207
