Francisco de Goya

Neither more nor less

Clasificación
Neither more nor less
Datos Generales
Cronología
Ca. 1797 - 1798
Ubicación
The Prado National Museum. Madrid, Madrid, Spain
Dimensiones
205 x 146 mm
Técnica y soporte
Sanguine on paper
Reconocimiento de la autoría de Goya
Documented work
Titular
El Prado National Museum
Ficha: realización/revisión
16 Dec 2010 / 26 Jun 2023
Inventario
(D. 4381)
Inscripciones

No moriras de ambre [on the pedestal on which the monkey is seated on the left] (in red pencil. recto, lower left)

26 (in pencil. Obverse. Lower left-hand corner)

Watermark: Large shield with helmet, bird inside, and underneath "D.N J.PH GISBERT / ALCOY" (upper half)

Historia

On the origin of this and other preparatory drawings for The Caprices, see the commentary on the first of them, corresponding to Caprice number 1 (Francisco de Goya y Lucientes, painter), and on the one corresponding to Caprice 3 (The bogeyman is Coming).

Line of provenance of this drawing: Javier Goya; Mariano Goya, 1854; Valentín Carderera, ca. 1861; Mariano Carderera, 1880; Prado Museum, 1886.

Análisis artístico

Preparatory drawing for Caprice 41, Neither more nor less

The composition is the same as that of the print except reversed.

Under the block on which the monkey sits is an inscription, No moriras de ambre (You will not die of hunger). The artist must adapt to the client's taste if he wants to make a living. Thus, the focus of the print is on the monkey, unlike in the engraving where the satire is focused on the donkey.

Goya's extensive experience as a portrait painter is reflected in this drawing. His knowledge of the different types of personalities portrayed throughout his career legitimises him to satirise the painter's activity. He himself had to deal with different clients, but he was always sincere in depicting them as he saw them.

Exposiciones
  • Goya: Drawings and Prints
    The Metropolitan Museum of Art
    New York
    1955
    from May 4th to 30th 1955
  • Goya. La década de Los Caprichos
    Madrid
    1992
    organized by Real Academia de Bellas Artes de San Fernando sponsored by Fundación Central Hispano, Madrid, consultant editor Nigel Glendinnig. From October 26th 1992 to January 10th 1993
Bibliografía
  • D'ACHIARDI, Pierre
    Roma D.Anderson: Editeur
    1908
    p. 26, n. 41
  • SÁNCHEZ CANTÓN, Francisco Javier
    Los Caprichos de Goya y sus dibujos preparatorios
    BarcelonaInstituto Amatller de Arte Hispánico
    1949
    p. 86
  • LÓPEZ-REY, José
    Goya’s Caprichos. Beauty, Reason and Caricature
    Nueva JerseyPrinceton University Press
    1953
    p. 199, fig. 168
  • SÁNCHEZ CANTÓN. Francisco Javier
    MadridMuseo del Prado
    1954
    n. 39
  • CASARIEGO, Rafael
    Goya. Los Caprichos. Colección de ochenta y cinco estampas en las que se fustigan errores y vicios humanos
    MadridEdiciones de Arte y Bibliofilia
    1966
    cat. 41
  • GASSIER, Pierre y WILSON, Juliet
    Vie et ouvre de Francisco de Goya
    ParísOffice du livre
    1970
    p. 181, cat. 532
  • GUDIOL, José
    Goya, 1746-1828. Biografía, estudio analítico y catálogo de sus pinturas
    BarcelonaEdiciones Polígrafa s.a.
    1970
    vol. I, pp. 396, fig. 635
  • GASSIER, Pierre
    Dibujos de Goya, 2 vols
    BarcelonaNoguer
    1975
    p. 136, cat. 99
  • LAFUENTE FERRARI, Enrique
    Los Caprichos de Goya
    col. Serie punto y línea
    BarcelonaGustavo Gili
    1977
    p.41
  • LAFUENTE FERRARI, Enrique
    El mundo de Goya en sus dibujos
    MadridUrbión
    1979
    pp. 91-93
  • WILSON-BAREU, Juliet
    MadridReal Academia de Bellas Artes de San Fernando
    1992
    p. 225, cat. 134
  • BLAS BENITO, Javier, MATILLA RODRÍGUEZ, José Manuel y MEDRANO, José Miguel
    El libro de los caprichos: dos siglos de interpretaciones (1799-1999). Catálogo de los dibujos, pruebas de estado, láminas de cobre y estampas de la primera edición
    MadridMuseo Nacional del Prado
    1999
    p. 231
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