Francisco de Goya

Datos Generales
Cronología
Ca. 1797 - 1798
Ubicación
The Prado National Museum. Madrid, Madrid, Spain
Dimensiones
195 x 144 mm
Técnica y soporte
Reconocimiento de la autoría de Goya
Documented work
Titular
El Prado National Museum
Ficha: realización/revisión
01 Dec 2010 / 26 Jun 2023
Inventario
(D. 4211)
Inscripciones

72 (in pencil. recto. Upper right-hand corner)

10 (in pencil. recto. lower left corner)

Historia

On the origin of this and other preparatory drawings for The Caprices, see the commentary on the first of them, corresponding to Caprice number 1 (Francisco de Goya y Lucientes, painter), and on the one corresponding to Caprice 3 (The bogeyman is Coming).

Line of provenance of this drawing: Javier Goya; Mariano Goya, 1854; Valentín Carderera, ca. 1861; Mariano Carderera, 1880; Prado Museum, 1886.

Análisis artístico

The sketch we are dealing with here was used as a preparation for Caprice 22, Poor girls!  Moreover, there is a clear dependence on drawing 82: Poor girls, how many would deserve it better! What is this? What must it be, that they are being taken to San Fernando in Notebook B.

Although Goya works superficially and quickly, he shows in this image that he has a very precise idea of what the engraving should be like. With respect to the drawing in Notebook B, he has modified the clothes of the bailiffs, who are covered with a cloak, as we can see in the print. However, in this sketch they are both looking towards the front, whereas in the engraving the one in the background is looking at his companion. In addition, the Aragonese painter has replaced the sketched houses on the right of the paper in the drawing with part of an arch that can be seen in the engraving.

Exposiciones
  • El arte de Goya
    Museo de Arte Occidental de Tokio
    Tokyo
    1971
    from 16th 1971 to January 23th 1972. Exhibited also at the Kyoto Municipal Museum of Art, January 29th to March 15th 1972.
Bibliografía
  • D'ACHIARDI, Pierre
    Roma D.Anderson: Editeur
    1908
    p. 21, n. 22
  • SÁNCHEZ CANTÓN, Francisco Javier
    Los Caprichos de Goya y sus dibujos preparatorios
    BarcelonaInstituto Amatller de Arte Hispánico
    1949
    p. 78-79
  • LÓPEZ-REY, José
    Goya’s Caprichos. Beauty, Reason and Caricature
    Nueva JerseyPrinceton University Press
    1953
    p. 194, fig. 130
  • SÁNCHEZ CANTÓN. Francisco Javier
    MadridMuseo del Prado
    1954
    n. 16
  • CASARIEGO, Rafael
    Goya. Los Caprichos. Colección de ochenta y cinco estampas en las que se fustigan errores y vicios humanos
    MadridEdiciones de Arte y Bibliofilia
    1966
    cat. 22
  • GASSIER, Pierre y WILSON, Juliet
    Vie et ouvre de Francisco de Goya
    ParísOffice du livre
    1970
    p. 179, cat. 497
  • GASSIER, Pierre
    Dibujos de Goya, 2 vols
    BarcelonaNoguer
    1975
    p. 120, cat. 83
  • LAFUENTE FERRARI, Enrique
    Los Caprichos de Goya
    col. Serie punto y línea
    BarcelonaGustavo Gili
    1977
    p. 35-36
  • BLAS BENITO, Javier, MATILLA RODRÍGUEZ, José Manuel y MEDRANO, José Miguel
    El libro de los caprichos: dos siglos de interpretaciones (1799-1999). Catálogo de los dibujos, pruebas de estado, láminas de cobre y estampas de la primera edición
    MadridMuseo Nacional del Prado
    1999
    p. 153
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