Francisco de Goya

Datos Generales
Cronología
Ca. 1797 - 1798
Ubicación
The Prado National Museum. Madrid, Madrid, Spain
Dimensiones
202 x 136 mm
Técnica y soporte
Sanguine on paper
Reconocimiento de la autoría de Goya
Documented work
Titular
El Prado National Museum
Ficha: realización/revisión
21 Dec 2010 / 26 Jun 2023
Inventario
(D. 4383)
Inscripciones

24 (in pencil. Obverse, upper right-hand corner)

Watermark: [Shield with helmet, bird inside, and underneath "D.N J.PH GISBERT / ALCOY" (upper half)].

Historia

On the origin of this and other preparatory drawings for The Caprices, see the commentary on the first of them, corresponding to Caprice number 1 (Francisco de Goya y Lucientes, painter), and on the one corresponding to Caprice 3 (The bogeyman is Coming).

Line of provenance of this drawing: Javier Goya; Mariano Goya, 1854; Valentín Carderera, ca. 1861; Mariano Carderera, 1880; Prado Museum, 1886.

Análisis artístico

Preparatory drawing for Caprice no. 48, Whistleblowers.

In th sketch, the figure in the habit in the foreground seems to be looking more directly at the buttocks from which the suckers are emanating, which Goya has resolved superficially. This monk's face is also less aged and caricatured than the one in the print.

The flying demon has been depicted in a more ferocious manner, as the wings end in spikes and, instead of a feline paw, he has a horrible claw. On the right, a monstrous head is replaced in the engraving by the heads of two animals.

This drawing was executed by Goya on a rapid manner, with just a few strockes that are enough to describe the silhouettes of the figures, with particular emphasis on the figure in the background who is covering his ears with his hands.

Conservación

This preparatory drawing is in a poor state of preservation and the right half of the composition has almost disappeared. It is also possible that it was reported on copper, as the lower part of the sheet shows several folds that testify that it was passed through the press.

Exposiciones
  • El arte de Goya
    Museo de Arte Occidental de Tokio
    Tokyo
    1971
    from 16th 1971 to January 23th 1972. Exhibited also at the Kyoto Municipal Museum of Art, January 29th to March 15th 1972.
Bibliografía
  • D'ACHIARDI, Pierre
    Roma D.Anderson: Editeur
    1908
    p. 27, n. 48
  • SÁNCHEZ CANTÓN, Francisco Javier
    Los Caprichos de Goya y sus dibujos preparatorios
    BarcelonaInstituto Amatller de Arte Hispánico
    1949
    p. 89
  • LÓPEZ-REY, José
    Goya’s Caprichos. Beauty, Reason and Caricature
    Nueva JerseyPrinceton University Press
    1953
    p. 201, fig. 183
  • SÁNCHEZ CANTÓN. Francisco Javier
    MadridMuseo del Prado
    1954
    n. 47
  • CASARIEGO, Rafael
    Goya. Los Caprichos. Colección de ochenta y cinco estampas en las que se fustigan errores y vicios humanos
    MadridEdiciones de Arte y Bibliofilia
    1966
    cat. 48
  • GASSIER, Pierre y WILSON, Juliet
    Vie et ouvre de Francisco de Goya
    ParísOffice du livre
    1970
    p. 182, cat. 548
  • GUDIOL, José
    Goya, 1746-1828. Biografía, estudio analítico y catálogo de sus pinturas
    BarcelonaEdiciones Polígrafa s.a.
    1970
    vol. I, pp. 396, fig. 646
  • GASSIER, Pierre
    Dibujos de Goya, 2 vols
    BarcelonaNoguer
    1975
    p. 143, cat. 106
  • LAFUENTE FERRARI, Enrique
    Los Caprichos de Goya
    col. Serie punto y línea
    BarcelonaGustavo Gili
    1977
    p. 43
  • BLAS BENITO, Javier, MATILLA RODRÍGUEZ, José Manuel y MEDRANO, José Miguel
    El libro de los caprichos: dos siglos de interpretaciones (1799-1999). Catálogo de los dibujos, pruebas de estado, láminas de cobre y estampas de la primera edición
    MadridMuseo Nacional del Prado
    1999
    p. 263
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