Because I told him, that he had a good movement, he cannot speak without speaking (dream 21º).

For Dream No. 21, Goya took as a reference the drawing from Notebook B, Man looking at a maja with a monocle (B. 19). These two drawings would give rise to Caprice no. 7, Nor so distinguishes it

In the centre, a man in light clothes approaches a woman dressed in black to look at her with a monocle. She looks at him with pleasure and even seems to be smiling. Both have been captured by Goya in a manner very similar to the print.

In the background of the drawing, the Aragonese painter has depicted various seated figures looking at the scene. This idea was later replaced by the woman watching the couple, probably a procuress, who appears in both the Notebook B and the engraving, and by the face that Goya has engraved in the space between the woman and the man, at waist level.