Francisco de Goya

Wild merchants (dream 28th)

Clasificación
Wild merchants (dream 28th)
Datos Generales
Cronología
Ca. 1796 - 1797
Ubicación
The Prado National Museum. Madrid, Madrid, Spain
Dimensiones
233 x 162 mm
Técnica y soporte
Reconocimiento de la autoría de Goya
Documented work
Titular
El Prado National Museum
Ficha: realización/revisión
23 Nov 2010 / 22 Jun 2023
Inventario
(D. 4193)
Inscripciones

28 (in pencil; recto, top centre)

19 (in pencil; recto, lower left-hand corner)

Los Mercaderes silbestres  (in pencil; obverse, lower centre).

Watermark: H.C. Wend & Zoonen [Large shield with helmet and letters "H C W" inside].

Historia

On the gestation, history and aims of the series known as Dreams, a set of preparatory drawings for The Caprices, see Dream 1: Universal Language.

Line of provenance of the present drawing: Javier Goya; Mariano Goya, 1854; Valentín Carderera, ca. 1861; Mariano Carderera, 1880; Prado Museum, 1886.

Análisis artístico

This work is based on the drawing Good people are the moralists (B. 88) from Notebook B and, in turn, will give rise to the Caprice no. 11, Boys at the Windmill. 

Goya took up the composition of the drawing from Notebook B and reworked it for Dreams. He added a figure in the background and replaced the knife and pistols in the foreground with a musket in the foreground and others under the canvas in the lower right corner. In addition, he replaced the background of leafy trees with a dry trunk and wind-swept bushes.

When this drawing was transferred to copper it underwent hardly any changes, only the figures in the second foreground on the left disappeared, as well as the foliage next to the tree trunk and the branches coming out of it.

Conservación

This drawing has the imprint of the press, which leads us to suspect that it was transported on a copper plate.

Exposiciones
  • Goya. La década de Los Caprichos
    Madrid
    1992
    organized by Real Academia de Bellas Artes de San Fernando sponsored by Fundación Central Hispano, Madrid, consultant editor Nigel Glendinnig. From October 26th 1992 to January 10th 1993
  • Permanencia de la memoria, cartones para tapiz y dibujos de Goya
    Museo de Zaragoza
    Zaragoza
    1997
    organized by Gobierno de Aragón, Museo Nacional del Prado and Patrimonio Nacional, consultant editor Fernando Checa Cremades. From February 14th to April 6th 1997
Bibliografía
  • D'ACHIARDI, Pierre
    Roma D.Anderson: Editeur
    1908
    p. 19, n. 11
  • SÁNCHEZ CANTÓN, Francisco Javier
    Los Caprichos de Goya y sus dibujos preparatorios
    BarcelonaInstituto Amatller de Arte Hispánico
    1949
    p. 73-74
  • LÓPEZ-REY, José
    Goya’s Caprichos. Beauty, Reason and Caricature
    Nueva JerseyPrinceton University Press
    1953
    p. 190, fig. 106
  • SÁNCHEZ CANTÓN. Francisco Javier
    MadridMuseo del Prado
    1954
    n. 23
  • CASARIEGO, Rafael
    Goya. Los Caprichos. Colección de ochenta y cinco estampas en las que se fustigan errores y vicios humanos
    MadridEdiciones de Arte y Bibliofilia
    1966
    cat. 11
  • GASSIER, Pierre y WILSON, Juliet
    Vie et ouvre de Francisco de Goya
    ParísOffice du livre
    1970
    pp. 177, cat. 473
  • GASSIER, Pierre
    Dibujos de Goya, 2 vols
    BarcelonaNoguer
    1975
    p. 96, cat. 59
  • LAFUENTE FERRARI, Enrique
    Los Caprichos de Goya
    col. Serie punto y línea
    BarcelonaGustavo Gili
    1977
    p. 54
  • WILSON-BAREU, Juliet
    MadridReal Academia de Bellas Artes de San Fernando
    1992
    p. 262, cat. 160
  • BLAS BENITO, Javier, MATILLA RODRÍGUEZ, José Manuel y MEDRANO, José Miguel
    El libro de los caprichos: dos siglos de interpretaciones (1799-1999). Catálogo de los dibujos, pruebas de estado, láminas de cobre y estampas de la primera edición
    MadridMuseo Nacional del Prado
    1999
    p. 101
  • MENA MARQUÉS, Manuela B. y MAURER, Gudrun (comisarias)
    Goya en Madrid. Cartones para tapices 1775-1794
    MadridMuseo Nacional del Prado
    2014
    p. 114
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