Francisco de Goya

Figure with chastity belts, notes of two figures and frog

Clasificación
Figure with chastity belts, notes of two figures and frog
Datos Generales
Cronología
1797 - 1798
Ubicación
The Prado National Museum. Madrid, Madrid, Spain
Dimensiones
207 x 147 mm
Técnica y soporte
Reconocimiento de la autoría de Goya
Documented work
Titular
El Prado National Museum
Ficha: realización/revisión
20 Aug 2021 / 08 Jun 2023
Inventario
D4362v
Inscripciones

448 (pen on adhesive, top centre)

Identifying stamp of the Prado Museum (stamped, upper right)

Watermark: Guarro, letters "GVA [tower] RRO" (lower half)

Historia

By inheritance it passed in 1828 to Javier Goya, the painter's son, and in 1854 to Mariano Goya y Goicoechea, the artist's grandson. It was subsequently owned successively by Valentín Carderera (ca. 1861) and Mariano Carderera (ca. 1880). In 1886 it was acquired from Mariano Carderera by the Directorate General of Public Instruction and was assigned to the Prado Museum, where it is now located. 

Análisis artístico

See Woman / Snake

This drawing, located on the reverse of Student / Frog, uses the same frog and mirror as on the obverse, although logically in inverted position, taking advantage of the ink transfer. The figure of the student is replaced by an almost naked figure of undefined sex wearing a high chastity belt with padlocks and chains. The drawing is confusing, and it is difficult to be sure what Goya wanted to symbolise. Gassier suggests a forced chastity.

Like the other drawings in the series, this one is also mainly in pen and is characterised by its masterly, modern abbreviated technique.

Separate from the Magic Mirror series, although related to it, there is another drawing in which the protagonists are two giant humanised frogs: Human Frogs Embracing.

Exposiciones
  • Los dibujos de Goya
    Museo Provincial de Zaragoza
    Zaragoza
    1978
    exhibition organized by Museo Provincial de Zaragoza, Ministerio de Cultura and Ayuntamiento de Zaragoza, exhibition guide written by Miguel Beltrán Lloris and Micaela Pérez Sáenz. October 1978
Bibliografía
  • SÁNCHEZ CANTÓN. Francisco Javier
    MadridMuseo del Prado
    1954
    n. 272
  • NORDSTRÖM, Folke
    Goya, Saturno y melancolía. Consideraciones sobre el arte de Goya
    StockholmAlquimis & Wiksell
    1962
    pp. 94-115
  • GASSIER, Pierre y WILSON, Juliet
    Vie et ouvre de Francisco de Goya
    ParísOffice du livre
    1970
    p. 187, cat. 654
  • GASSIER, Pierre
    Dibujos de Goya, 2 vols
    BarcelonaNoguer
    1975
    p. 496, cat. 326
  • ANDIOC, René
    Calcografía Nacional y National Museum of Contemporary Arts de Seúl
    2000
    pp. 171-179
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