Francisco de Goya

Datos Generales
Cronología
1797 - 1798
Ubicación
The Prado National Museum. Madrid, Madrid, Spain
Dimensiones
206 x 147 mm
Técnica y soporte
Reconocimiento de la autoría de Goya
Documented work
Titular
El Prado National Museum
Ficha: realización/revisión
20 Aug 2021 / 08 Jun 2023
Inventario
D3921
Inscripciones

8 (in black pencil, bottom left)

7 (in pencil, upper right)

Watermark: Guarro, letter "GVA [tower] RRO" (upper half)

Historia

By inheritance it passed in 1828 to Javier Goya, the painter's son, and in 1854 to Mariano Goya y Goicoechea, the artist's grandson. It was subsequently owned successively by Valentín Carderera (ca. 1861) and Mariano Carderera (ca. 1880). In 1886 it was acquired from Mariano Carderera by the Directorate General of Public Instruction and was assigned to the Prado Museum, where it is now located.

Análisis artístico

See Woman / Snake

A dapper young man stands, leaning on a cane and leaning slightly forward, in front of a mirror that reflects back to him the figure of a large monkey in the same pose as himself. As in Woman / Snake, he turns his gaze away from the mirror.

The elegant young man was identified by René Andioc with the archetypal figure of the currutaco, a kind of petimetre or dandy typical of Spanish society at the end of the 18th century, whose most distinctive features were to be found in his very neat clothing, which Andioc describes as follows: an enormous necktie, shoes without the usual buckle and with a thin, bent toe, tight breeches below the knees, a coat with large lapels, abundant hair divided into several locks with long sideburns, and a walking stick or club.


According to Folke Nordström, this representation symbolises the sanguine temperament, considered typically feminine, which would explain why Goya chose the character of the dandy, a figure subjected to the tortures of fashion and who had something feminine in his character.


The drawing, executed mainly in pen, is characterised by its masterly and modern abbreviated technique.

Exposiciones
  • Los dibujos de Goya
    Museo Provincial de Zaragoza
    Zaragoza
    1978
    exhibition organized by Museo Provincial de Zaragoza, Ministerio de Cultura and Ayuntamiento de Zaragoza, exhibition guide written by Miguel Beltrán Lloris and Micaela Pérez Sáenz. October 1978
  • Madrid
    2019
Bibliografía
  • SÁNCHEZ CANTÓN. Francisco Javier
    MadridMuseo del Prado
    1954
    n. 270
  • NORDSTRÖM, Folke
    Goya, Saturno y melancolía. Consideraciones sobre el arte de Goya
    StockholmAlquimis & Wiksell
    1962
    pp. 94-115
  • GASSIER, Pierre y WILSON, Juliet
    Vie et ouvre de Francisco de Goya
    ParísOffice du livre
    1970
    p. 187, cat. 650
  • GASSIER, Pierre
    Dibujos de Goya, 2 vols
    BarcelonaNoguer
    1975
    p. 491, cat. 322
  • LAFUENTE FERRARI, Enrique
    El mundo de Goya en sus dibujos
    MadridUrbión
    1979
    pp. 124-125
  • ANDIOC, René
    Calcografía Nacional y National Museum of Contemporary Arts de Seúl
    2000
    pp. 171-179
  • MATILLA, José Manuel y MENA, Manuela B. (comisarios)
    MadridMuseo Nacional del Prado
    2019
    p. 140
Volver
Usamos cookies propias y de terceros para mejorar su navegación. Si continua navegando consideramos que acepta el uso de cookies.