- Cronología
- 1797 - 1798
- Ubicación
- The Prado National Museum. Madrid, Madrid, Spain
- Dimensiones
- 206 x 147 mm
- Técnica y soporte
- Reconocimiento de la autoría de Goya
- Documented work
- Titular
- El Prado National Museum
- Ficha: realización/revisión
- 20 Aug 2021 / 08 Jun 2023
- Inventario
- D3921
8 (in black pencil, bottom left)
7 (in pencil, upper right)
Watermark: Guarro, letter "GVA [tower] RRO" (upper half)
By inheritance it passed in 1828 to Javier Goya, the painter's son, and in 1854 to Mariano Goya y Goicoechea, the artist's grandson. It was subsequently owned successively by Valentín Carderera (ca. 1861) and Mariano Carderera (ca. 1880). In 1886 it was acquired from Mariano Carderera by the Directorate General of Public Instruction and was assigned to the Prado Museum, where it is now located.
See Woman / Snake
A dapper young man stands, leaning on a cane and leaning slightly forward, in front of a mirror that reflects back to him the figure of a large monkey in the same pose as himself. As in Woman / Snake, he turns his gaze away from the mirror.
The elegant young man was identified by René Andioc with the archetypal figure of the currutaco, a kind of petimetre or dandy typical of Spanish society at the end of the 18th century, whose most distinctive features were to be found in his very neat clothing, which Andioc describes as follows: an enormous necktie, shoes without the usual buckle and with a thin, bent toe, tight breeches below the knees, a coat with large lapels, abundant hair divided into several locks with long sideburns, and a walking stick or club.
According to Folke Nordström, this representation symbolises the sanguine temperament, considered typically feminine, which would explain why Goya chose the character of the dandy, a figure subjected to the tortures of fashion and who had something feminine in his character.
The drawing, executed mainly in pen, is characterised by its masterly and modern abbreviated technique.
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Los dibujos de GoyaMuseo Provincial de ZaragozaZaragoza1978exhibition organized by Museo Provincial de Zaragoza, Ministerio de Cultura and Ayuntamiento de Zaragoza, exhibition guide written by Miguel Beltrán Lloris and Micaela Pérez Sáenz. October 1978cat. 47
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Madrid2019cat. 69
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MadridMuseo del Prado1954n. 270
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Goya, Saturno y melancolía. Consideraciones sobre el arte de GoyaStockholmAlquimis & Wiksell1962pp. 94-115
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Vie et ouvre de Francisco de GoyaParísOffice du livre1970p. 187, cat. 650
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Dibujos de Goya, 2 volsBarcelonaNoguer1975p. 491, cat. 322
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El mundo de Goya en sus dibujosMadridUrbión1979pp. 124-125
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Calcografía Nacional y National Museum of Contemporary Arts de Seúl2000pp. 171-179
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MadridMuseo Nacional del Prado2019p. 140