Francisco de Goya

The Truth. Sketch of a naked woman

Clasificación
The Truth. Sketch of a naked woman
Datos Generales
Cronología
Ca. 1797
Ubicación
The Prado National Museum. Madrid, Madrid, Spain
Dimensiones
305 x 207 mm
Técnica y soporte
Sanguine and red lavis on thick laid paper
Reconocimiento de la autoría de Goya
Undisputed work
Titular
El Prado National Museum
Ficha: realización/revisión
18 Aug 2021 / 28 Apr 2023
Inventario
Inv. D4338v
Inscripciones

[Stamp of the Museo del Prado] (Purple ink stamp, recto, lower right corner)

Watermark: [Large shield with helmet and letters "[H] C W" inside].

Historia

The piece is one of a series of drawings which, from their form and content, were undoubtedly made by Goya in preparation for the Capriches.

The drawing passed by inheritance in 1828 to Javier Goya, the painter's son, and in 1854 to Mariano Goya y Goicoechea, the artist's grandson. It was subsequently owned by Valentín Carderera (ca. 1861) and Mariano Carderera (ca. 1880). In 1886 it was acquired from Mariano Carderera by the General Direction of Public Instruction and was assigned to the Prado Museum, where it entered on 12 November 1886.

Análisis artístico

See Truth Rescued by Time

On the same sheet of paper there are two drawings. This one is on the reverse, while the recto is occupied by The Truth Rescued by Time.

The present drawing shows just a few lines suggesting the nude body of a woman seen from the front with her right arm across her chest. This seems too be Goya´s first sketch of the figure of Truth, which we find in the drawing on the front of the sheet, a figure that repeats the same posture of the arm with the aim of clinging to her flying companion, Time, although the body in this sketch is more upright.

The link between this sketch and the compositions of Truth, Time and History (sketch and final work) to which the drawing on the recto is linked is not established directly but through the drawing on the verso.

Exposiciones
  • Goyas Spanien, Tiden och Historien
    Nationalmuseum
    Stockholm
    1980
  • Goya. Das Zeitalter der Revolucionen. Kunst um 1800 (1980 – 1981)
    Hamburger Kunsthalle
    Hamburg
    1980
  • Goya y la Constitución de 1812
    Museo Municipal de Madrid
    Madrid
    1982
    organized by Madrid Town Hall, consultant editor José Manuel Pita Andrade. From December 1982 to January 1983
  • El cuaderno italiano (1770-1786). Los orígenes del arte
    Museo Nacional del Prado
    Madrid
    1994
    exhibited also at Palacio Revillagigedo, Gijón, Summer 1994, consultant editors Manuela B. Mena Marqués and Jesús Urrea Fernández. From March 2nd to April 30th 1994
Bibliografía
  • SÁNCHEZ CANTÓN, Francisco Javier
    Los dibujos de Goya, 2 vols.
    MadridAmigos del Museo del Prado
    1954
    Vol. II, cat. 452
  • GASSIER, Pierre y WILSON, Juliet
    Vie et ouvre de Francisco de Goya
    ParísOffice du livre
    1970
    pp. 164, 187, cat. 643
  • GASSIER, Pierre
    Dibujos de Goya, 2 vols
    BarcelonaNoguer
    1975
    p. 45, cat. 17
  • HOFMANN, Werner (ed.)
    Goya, Das Zeitalter de Revolutionen. 1789-1830
    HamburgPrestel-Verlag Münche und Hamburger Kunsthalle
    1980
    p. 150-151
  • CAMÓN AZNAR, José
    ZaragozaCaja de Ahorros de Zaragoza, Aragón y Rioja
    1980-1982
    p. 114
  • AGULLÓ Y COBO, Mercedes
    MadridAyuntamiento de Madrid
    1982
    pp. 94-95
  • MAURER, Gudrun
    StockholmNationalmuseum Stockholm
    2001
    pp. 54-59, cat. 6
Enlaces externos
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