Origin of harpoons or spearguns (preparatory drawing)

 See How the ancient Spaniards hunted bulls on horseback in the countryside.

This sketch for the print Origin of harpoons or spearguns  defines the composition quite precisely. But unlike previous drawings, the spectators behind or in front of them begin to take centre stage as a formless crowd. This is perhaps one of the greatest innovations in Matilla's visual representation of bullfights.

The elimination of distance and anecdotal elements, the dramatic use of light and emptiness are the pillars of Goya's visual composition. The bullring is barely hinted at by fragments of barriers, and the fusion of lines allows us to feel the presence of an audience, without any distinctive features. The scene depicts the moment when a bull is speared. In those days a single piece, called a harpoon, was used, which consisted of a wooden shaft with iron at one end and two additional points, facing the shaft to make a catch.