- Cronología
- 1814 - 1816
- Dimensiones
- 245 x 352 mm
- Técnica y soporte
- Aguafuerte, aguatinta, punta seca y bruñidor
- Reconocimiento de la autoría de Goya
- Documented work
- Ficha: realización/revisión
- 01 Oct 2021 / 22 Jun 2023
- Inventario
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7(print, upper right-hand corner)
See How the ancient Spaniards hunted bulls on horseback in the countryside
Lafuente Ferrari points out the existence of a print of a copy of the Bullfighting prior to the first edition. No proofs of condition have been preserved.
The plate is kept at the National Chalcography, with Varilarguero on the shoulders of a pimp, stinging a bull (Tauromaquia D) print on the reverse.
See How the ancient Spaniards hunted bulls on horseback in the countryside.
The print is part of the subgroup, within the group of "historical" scenes of bullfighting (Nos. 1-11), dedicated to the bullfighting of the Moors (Nos. 3-8 and 17). Just as in The Moors are doing another bullfight in the square with their dressing gown, the scene takes place in a fenced enclosure, which can be glimpsed in the background and through which a crowd of people can be seen. At the same time, inside the fence there are two Moors seated facing the bullring where the bullfight is taking place, with another Moor quoting the bull with his left hand while with his right he holds a harpoon or spear which he prepares to stab the animal, which, in a totally static attitude and in side profile, is placed in front of him. Two other Moors observe the bullfight behind the one who is performing it.
Lafuente Ferrari comments that the use of a single spear goes back to the origins of bullfighting, as two spears would later be used.
There are certain differences with the preparatory drawing, also entitled Origin of harpoons or spears, especially in the background and in the spear.
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Grabados y dibujos de Goya en la Biblioteca NacionalBiblioteca NacionalMadrid1946catalogue Elena Páez Ríos
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Boston1974
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1975
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Goya en la Biblioteca Nacional. Exposición de grabados y dibujos en el sesquicentenario de su muerteBiblioteca NacionalMadrid1978May - June 1978
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Grabados de Goya: colección propiedad de la Biblioteca Nacional, que se conserva en su Gabinete deCasa de la Amistad de MoscúMoscow1979exhibition displayed from January 18th to 31st 1979
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1984
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Madrid1987
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Madrid1990
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Goya grabadorFundación Juan MarchMadrid1994consultant editors Alfonso E. Pérez Sánchez and Julián Gállego, from January 14th to March 20th 1994
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Goya grabadorMuseo del Grabado Español ContemporáneoMarbella1996from March 8th to May 5th 1996
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Zaragoza1996
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Schlaf der Vernunft. Original radierungen von Francisco de GoyaMunich2000
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Madrid2002
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Madrid2002
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Bilbao2012
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Zaragoza2017
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Goya et la modernitéPinacothèque de ParisParís2013from October 11st 2013 to March 16th 2014cat. 24
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OxfordBruno Cassirer1964vol. II, 1964, pp. 320, cat. 210
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Vie et ouvre de Francisco de GoyaParísOffice du livre1970p. 277, cat. 1161
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Goya, toros y torerosMadridMinisterio de Cultura, Comunidad de Madrid1990p. 90, cat. 21
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MadridMuseo Nacional del Prado2001pp. 51-53
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ParísPinacoteca de París2013p. 103
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Goya. In the Norton Simon MuseumPasadenaNorton Simon Museum2016pp. 186-201