Francisco de Goya

Datos Generales
Cronología
1805
Ubicación
Museum of Art - Rhode Island of Design, Providence, United States
Dimensiones
8 cm de diámetro
Técnica y soporte
Oil on copper
Reconocimiento de la autoría de Goya
Documented work
Titular
Museum of Art - Rhode Island of Design
Ficha: realización/revisión
23 Mar 2010 / 16 Jun 2023
Inscripciones

1805 / Goya / a los 15 años / Jerónima / por / Goya ("1805, Goya, aged 15, Jerónima, by Goya", on the back).

Historia

Goya made seven miniature portraits, all on sheets of copper and with a circular format, for the wedding of his son, Francisco Javier, to Gumersinda Goicoechea, which took place on 5 July 1805. As well as the portrait of his son, he made ones of the parents of the bride, the bride herself, and each of her three sisters, including Jerónima Goicoechea.

It was bequeathed to the museum that now houses it by Mrs Murria S. Danforth.

Análisis artístico

Gerónima Goicoechea was one of the youngest members of the Goicoechea Galarza family. She appears here in three-quarter profile, turning slightly to the right. She is wearing a cloth hat in striking golden tones, tied at the neck with a white ribbon and executed in rapid brushstrokes. The neckline of her white dress accentuates her bust.

Francisco Calvo Serraller draws our attention to the way in which Goya often does not fill with paint the gaps left in the undulating forms of the thicker brushstrokes, an effect which he uses to suggest the texture of the lace on the dress' neckline or to increase the sense of fleshiness of the woman's neck.

For more information, see Javier Goya Bayeu.

 

Exposiciones
  • Goya. El Capricho y la Invención. Cuadros de gabinete, bocetos y miniaturas
    Museo Nacional del Prado
    Madrid
    1993
    from November 18th 1993 to February 15th 1994. Exhibited also at the Royal Academy of Arts, London, March 18th to June 12th 1994 and The Art Institute of Chicago, Chicago, July 16th to October 16th 1994, consultant editors Manuela B. Mena Marqués and Juliet Wilson-Bareau
  • Goya. La imagen de la mujer
    Museo Nacional del Prado
    Madrid
    2001
    from October 30th 2001 to February 10th 2002. Exhibitied also at the National Gallery of Art, Washington, March 10th to June 2nd 2002, consultant editor Francisco Calvo Serraller
  • Goya en tiempos de guerra
    Museo Nacional del Prado
    Madrid
    2008
    consultant editor Manuela B. Mena Marqués, from April 14th to July 13th 2008
  • Goya: Order and disorder
    Museum of Fine Arts
    Boston
    2014
  • Goya: The Portraits
    London
    2015
Bibliografía
  • LAFUENTE FERRARI, Enrique
    Goya. Antecedentes, Coincidencias e Influencias del arte de Goya
    MadridSociedad Española de Amigos del Arte
    1947
    pp. 37 y 38
  • GASSIER, Pierre y WILSON, Juliet
    Vie et ouvre de Francisco de Goya
    ParísOffice du livre
    1970
    p. 200, cat. 848
  • GUDIOL RICART, José
    BarcelonaPolígrafa
    1970
    vol. I, pp. 329 y 330, cat. 504
  • MENA, Manuela B. y WILSON-BAREAU, Juliet (comisarias)
    Goya. El capricho y la invención. Cuadros de gabinete, bocetos y miniaturas
    MadridMuseo del Prado
    1993
    pp. 266, 267, 268 (il.) y 269 (il), cat.
  • CALVO SERRALLER, Francisco (comisario)
    Goya, la imagen de la mujer
    MadridMuseo Nacional del Prado y Fundación Amigos del Museo del Prado
    2001
    pp. 198 y 199 (il.), cat. 40
  • MENA MARQUÉS, Manuela B.
    Goya en tiempos de guerra
    MadridMuseo Nacional del Prado
    2008
    pp. 212, 213 (il.) y 214, cat. 43
  • ILCHMAN, Frederick y STEPANEK, Stephanie L. (comisarios)
    Goya: Order & Disorder
    BostonMuseum of Fine Arts Boston Publications
    2014
    p. 198
  • BRAY, Xavier
    LondonNational Gallery Company
    2015
    pp. 150-152
Enlaces externos
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